#Color finale pro saturation software#
#Color finale pro saturation series#

If you were working on a system set for b-cast standards, you woudn't have the trouble. Though it cannot over-ride your OS, monitors, or other apps of course. Pr attempts within the app to show proper video sRGB/Rec709 treatment of the media. The problem isn't that Pr isn't showing the 'original' colors/tones, it's that your monitor and any calibration are not set to show the original media's chroma/luma properly. Ergo, it looks less saturated and less contrasty. is it an older one, or a newer one with the P3 very-wide gamut monitor? I'm guessing the P3, as when you take an image 'plotted' for one color space, and plop it on a much wider color space, you 'lose' visible contrast for both the luma and chroma data. rigidly.Īs you're showing Apple screens, I would guess you're on a Mac. Pr is designed to work within those specs. Rec.709, which specifies that the media should be displayed on a screen set to video standards sRGB, and calibrated to Rec.709 at 100 nits brightness. you have a problem.Īlmost assuredly, the device recording that image data did so assuming that it was to be worked and viewed within the standard that is the vast majority of use now. If you answer 'no' to any of those three questions, well. have you chosen a screen for it's color space to make sure it works with your media? Have you calibrated it to the space/profile of your media? And are you only viewing your media in apps that apply appropriate color-space/profile interpretation to the media they display? If the user does not take control of the multitude of variables here, the user HAS no control over how they see the images. They all need to be set correctly for the space of the media used, and calibrated to those specs. No screen except for expensive pro-level broadcast screens come calibrated either. there are many color spaces to begin with, that media or OS or monitors/screens can be expected to 'see' images within. Those numbers are then interpreted by the OS/software/hardware to create images on screens.

#Color finale pro saturation series#

the data off the camera is just a series of NUMBERS. I'm not being rude, this is a complex issue and so many starting out have expectations that are simply not possible in this or any multiverse potentially in existence.įirst. it is that you are completely unaware of the process of displaying colors on computers, TVs, and other devices.

#Color finale pro saturation software#

I can screenshot anything you need within the software for help. Please let me know if you've had this problem and know the solution. When I'm editing with premiere, I would like the colors to be true to what it is, because it is deceiving while I'm trying to color correct all my footage.

This leads me to think that the software is just portraying the colors differently. When My projects are complete, I export the project and open it up to view it, and it returns to the same dull saturation from its original state before import.

The image on the right, is within the Premiere software, after I import the footage. The image on the left is the footage directly from the SD card, the footage has not been imported or tampered with. I'm going to post a photo below that has a side-by-side of what I am explaining. The footage the premiere is showing within the software is more saturated and seems to be already color corrected, when in fact it is not. The issue that I am having is that the Software for premiere is reading the color of my footage differently that how the footage truly is.

Hey everyone, I am needing some help with my Premiere program.